Mozart Argumentative Essay Example For Students

Mozart Argumentative Essay The classical period produced more instrumental than vocal music, a wealth ofserious and comic operas as well as vocal religious music also appeared duringthis time(Ferris, 231). One of the best composer of this time was WolfgangAmadeus Mozart. In this paper I will go through his childhood, his friends andfamily, and of course his music. Enjoy!!! Child of the Enlightenment The worldthat Wolfgang Amadeus Mozart entered ceremoniously in 1756 was brimming inchange. Historians refer to this era as the Age of Enlightenment, one ofunparalleled scientific, philosophical, and political ferment. Within Mozartslifetime it set in motion forces that would fundamentally alter life not only inhis native, Salzburg, but also around the globe. The Enlightenment was not, tobe sure, a democratic movement. In France, the absolutism of the Sun King, LouisXIV, continued under Louis XV and XVI. But in Austria, Empress Maria Theresaintroduced a greater measure of tolerance and freedom among her subjects, la yinga foundation for the democratic revolutions that followed. Wolfgangs fatherLeopold came from a family of Augsburg bookbinders. He received a solid Jesuiteducation, more intellectual than evangelical after a year at the BenedictineUniversity in nearby Salzburg; Leopold stopped attending classes to pursue acareer as a musician. Leopold figured as Mozarts most important firstmodel. He taught his son the clavier and composition(Mercardo 763). Wolfgangs mother Anna-Maria brought as much talent to her 32-year marriage asdid Leopold. Though deprived of a formal education, she was highly intelligentand quick-witted qualities that attracted the sober and reserved Leopold. Only two of their seven children survived infancy. Wolfgangs musicallytalented sister Nannerl was five years older. Yet in this painting, the 12-year-old looks like a spinster of seventycomplete with budding double chin. Wolfgang, too, looks far older than his 7 years, and controls the action fromhis place at its center. The Child Prodigy Indeed, Mozart marks the beginning ofthe Western fascination with the child prodigy. Dressed in the festive outfitgiven Wolfgang in 1762 by the Empress Maria Theresa, this boy of not quite sevenyears old looks, for all the world, like a miniature adult who has simplyskipped childhood. Mozart was keenly aware of his exceptional ability, whichhad been fostered and rutted in him by his father from a very earlyage(Schroter). Other nineteenth-century artists representedWolfgangvariously said to be anywhere from 11 to 14 as a curly-locked angel. For them, how else could the divine music that poured out of a child-size bodybe explained? The idealization of Mozarts genius was complete by the end ofthe nineteenth century. Mozart composes with his violin in one hand and musichas appeared miraculously on his stand in the other. The message isunmistakable: Mortals use quills, Mozart simply wills(Solomon) On the RoadThe temptation to take his two prodigies on the road proved irresistible toLeopold, who assumed sole responsibility for Mozarts education. Between 1762and 1766, the Mozarts appeared at almost every major court in Europe. Wolfgangdazzled audiences with his ability to read difficult music at sight and toimprovise. In London, as elsewhere, the Mozarts hobnobbed with the leadingmusicians. Probably the most important of these was Johann Christian Bach, theyoungest son of Johann Sebastian. It is no accident that Mozarts earlysymphonies, composed in London, are often stylistically indistinguishable fromthose of J. C. Bach. Whe n Mozart was 13, his prowess as a keyboard player,violinist, improviser, and composer were already legendary. When Mozart was21 he wrote Paris Symphony, N31 while he was in Paris looking for a musicposition. He was thoroughly disenchanted with the French and theirmusic(Internet). From 1768 to 1775, between stays in Salzburg, he and Leopoldmade three further forays to Italy and Germany. Wolfgang evolved from a prodigyinto a serious composer. Public Successes A self-confident Mozart assured hisfather in 1782 that he would be able to support a wife and family in Vienna, Asa result which he called Clavierland. Of its earlier devastation, thedominant architectural style in Vienna is Baroque, aided in the 1700s by aninflux of Italian sculptors, stucco workers, and painters. The dominantarchitect and architectural historian was Italian-trained Johann Fischer vonErlach(1656-1723), whose densely decorated structures still stand out today. Free Romeo and Juliets - Tragic Hero Romeo J EssayPiano Concerto: One of the public forms of instrumental music cultivated byMozart in Vienna. Mozart can, for all practical purposes, be credited with theinvention of the Classical piano concerto. Antonio Salieri: Italian composer(1750-1825) who spent most of his career in Vienna and became one of its mostinfluential musicians. So fond was the emperor, Joseph II, of Salieri that hebecame known as the musical pope. Salieri was first and foremost an operacomposer, though a considerably less innovative one than Mozart. Both Ludwig vanBeethoven and Franz Schubert studied with Salieri. Joseph Haydn: Austriancomposer (1732-1809) whose eighteenth-century fame eclipsed that of Mozart. Unlike Mozart, Haydn was a relatively late bloomer, composing most of hisimportant music after the age of 35 (at which age Mozart was dead). Haydn playeda seminal role in the development of the symphony and the string quartet. Hisfriendship with Mozart from ca. 1781 on was crucial to the musical developmentof both composers. Summary: The world that Wolfgang Amadeus Mozart enteredunceremoniously in 1756 was awash in change. Historians refer to this era as theAge of Enlightenment. Indeed, Mozart marks the beginning of the Westernfascination with the child prodigy. The idealization of Mozarts genius wascomplete by the end of the nineteenth century. Between 1762 and 1766, theMozarts appeared at almost every major court in Europe. Wolfgang dazzledaudiences with his ability to read difficult music at sight and to improviseFour of his operasThe Abduction from the Seraglio(1782), The Marriage ofFigaro(1786), Don Giovanni(1787), and Cos fan tutte(1790) were premiered orperformed in the presti gious Burgtheater. Then Mozart met Haydn; we do not knowthe occasion on which Mozart first encountered Joseph Haydn. In Haydn, he notonly found a composer whose achievements were on a level with his own, but awarm and sympathetic friend in whom he could confide. In the autumn of 1791,Mozarts health became progressively worse. He died on December 5, 1791, andwas buried in a paupers grave. Biographies